The world of art is abuzz with the announcement of a new traveling exhibition, Presence: The Photography Collection of Judy Glickman Lauder, which promises to be a captivating journey through the lens of some of the most renowned photographers of the 20th century. This collection is not just a showcase of stunning images; it's a testament to the profound impact of photography on our understanding of the human experience. Personally, I think this exhibition is a must-see for anyone interested in the history of photography and its ability to connect us across time and space. What makes this collection particularly fascinating is the diverse range of movements and styles it encompasses, from the ethereal Pictorialism to the raw social documentary and the surreal. It's a testament to the versatility and depth of photography as an art form. One thing that immediately stands out is the inclusion of works by Diane Arbus, Dorothea Lange, Richard Avedon, Nan Goldin, and Edward Steichen, each bringing their unique perspective to the exhibition. These photographers have left an indelible mark on the world of photography, and their work is a powerful reflection of the human condition. What many people don't realize is that this collection is not just about the photographs themselves, but also about the stories behind them. Each image has a history, a context, and a narrative that adds depth and meaning to the viewing experience. From the iconic 'Turn Around' television commercial for Kodak, which sparked Judy Glickman Lauder's lifelong passion for photography, to the raw and unfiltered images of Arbus, this collection is a treasure trove of stories waiting to be discovered. If you take a step back and think about it, the fact that this collection is traveling to museums across the United States is a significant achievement. It affirms the American Federation of Arts' (AFA) belief that art should be accessible to all communities, and it highlights the importance of photography as a medium that can connect people across different backgrounds and experiences. This raises a deeper question: How can we use photography to foster understanding and empathy between people from diverse cultures and backgrounds? In my opinion, the answer lies in the power of storytelling. Photography has the ability to tell authentic, compassionate stories about what it means to be human, and this collection is a prime example of that. The emotional presence and lasting power of these images are truly remarkable. Working with the AFA team has been a true collaboration, rooted in a shared belief of access, connection, and dialogue. I've been thrilled to work with them, and I hope that visitors to the exhibition will be moved by the emotional presence and lasting power of these images, just as I was. The exhibition will travel to several museums, including the Southampton Arts Center, the Sarasota Art Museum, the Gibbes Museum of Art in Charleston, and the Lowe Art Museum at the University of Miami. Each location will offer a unique perspective on the collection, and I encourage everyone to experience it for themselves. In conclusion, Presence: The Photography Collection of Judy Glickman Lauder is a must-see for anyone interested in the history of photography and its ability to connect us across time and space. It's a powerful reflection on how we see and understand one another, and it's a testament to the enduring power of art to inspire and provoke thought. So, if you have the opportunity, don't miss out on this extraordinary collection. It's a journey through time and space that will leave a lasting impression on you.
